Artistisc Thinking:
Week 6 Technology BootCamp...whoop whoop whoop!
me likey to play with technologieee!
To start out let me introduce you to my new Delicious page:
http://delicious.com/avantvoyager
http://pinterest.com/maria8scuderi/manifesting-my-visions-creating-my-world/
http://popplet.com/app/#/494106
http://popplet.com/app/#/495553
Here is the beginning of my Vision Board from Pinterest:
http://pinterest.com/maria8scuderi/manifesting-my-visions-creating-my-world/
And now for my Brain Storming with Inspiration:
Visions of my Future to be Manifested:
http://popplet.com/app/#/494106
Read and React Week 6:
Building my Visual Lexicon has been a process I began in my
teens when I started to save images from magazines, old art books, cards,
drawings, colorful adds and my hunts through thrift stores for old postcards
and art prints. I still have a few boxes with these images for which I have
used in art making, but now they are more like sentimental items that I don’t
want to part with even though I rarely pull them out to use. In our Week 6
bookcamp I was excited to learn about all of the new websites and technology
tools for finding, bookmarking and storing newfound images. The old way of
viewing my collection involved spreading them out on the floor or a large table
to pick and choose, and many times I still didn’t have room to browse through
all of them. Therefore I am delighted by the choices given and have enjoyed
finding some new favorites. Until I read about Google page ranking and advance
search I must admit that most of my online images have come from a quick look
through Google images. I have jumped a page or three ahead yet I have rarely
explored other image sites. I am always glad to find new and unusual or
alternative sites. Thank You Melissa! So for the first part of this post I will
share with you my new top three image sites. After checking out most of the 28
image sites, the ones that I have bookmarked based on quantity, categories and
user friendly are…1) Google, 2) imgfave, 3) Pinterest. As far as the vision/mindmapping boards go I
liked Pinterest the best then Inspiration and then Popplet.
Making the boards were fun and time consuming yet It helps to slow down and mentally and physically make those connections with visual representations and direct lines of connections. I can see how the mindmap is a perfect visual and mimicking tool which looks and acts like the axons, neurons and dendrites in our brain. Far-Out!
Making the boards were fun and time consuming yet It helps to slow down and mentally and physically make those connections with visual representations and direct lines of connections. I can see how the mindmap is a perfect visual and mimicking tool which looks and acts like the axons, neurons and dendrites in our brain. Far-Out!
After reading Duncan’s article on Culture Education, I can
and will agree that as we evolve and develop new technologies and modes of
learning and teaching in this 21st century, so should our terms, our
definitions and our general pedagogic tools. Duncan states how we need adequate
ways to organize and implement an updated, currently relevant curriculum that
offers better ways to read and interpret our visual, global culture through, “Using
contemporary lenses that apply to the extraordinary plethora of images that now
form a large part of our daily lives.”
( Duncan, Art Educ 63
no1 Ja 2010)
Duncan does not denounce the elements
and principles of art
for formal qualities of images, yet he strongly suggests that they are not
enough to help push art education into catching up with our image saturated
societies. While in concert with Olivia Gude’s progressive working models, he
is reconceptualizing principles, such as Gude who has, “specifically designed
(pinciples) to help consider today's postmodern fine art that often involves
computers, collages, and installations. For example, she
suggests hybridization, layering, and appropriation.
Duncans principles are: power, ideology, representation,
seduction, gaze, intertextuality, and multimodality.
“By means of images
we engage with widely shared social assumptions about the way of the world: Who
are we? What is good versus bad? How should we act and avoid acting? Images
offer any number of answers to each of these questions, as well as to many
others. Images offer ideologies that can be racist, sexist, xenophobic, ageist,
or marginalize people with physical disabilities, but images also offer support
for families, inspire ideals, and work to conserve the
environment” ( Duncan, Art Educ 63 no1 Ja 2010)
“Representation is closely aligned with ideology because it
refers to how ideology is presented in visual form. It refers to much more than
a mere likeness. It involves what images represent, how they represent, and
what they fail to represent. What is privileged and what is marginalized? And what
rhetorical devices are used to influence our understanding of what is
represented?” ( Duncan, Art Educ 63 no1 Ja 2010)
“If we come to images with stereotypes in mind, to see them
represented is to experience the pleasure
of feeling justified in our views. Equally, images offer the
fulfilment ofdeep-seated, even unconscious, desires, including socially taboo
pleasures (Zizek, 1989)”
( Duncan, Art Educ 63 no1 Ja 2010)
“We are invited by images to see in a particular way, but we
also come to them with already existing relationships to what we see.
This means that considering the gaze is a way in which to
understand ourselves as individuals and as a society. Are our own gazes sexist,
racist, and so on?”
( Duncan, Art Educ 63 no1 Ja 2010)
“With intertexts, images are connected irrespective of
historical categories like high and low, past and present, and, importantly,
they connect student interest and knowledge with teacher requirements in a way
that is limited only by time and imagination.” ( Duncan, Art Educ 63 no1 Ja
2010)
“Many devices are used to situate the viewer in relation to
the subjects of representation, including angles-of-view and framing.” (
Duncan, Art Educ 63 no1 Ja 2010)
“The multi modal nature of imagery is yet another reason for
considering images in terms of their context.” ( Duncan, Art Educ 63 no1 Ja
2010)
“Words, music, and sound effects anchor the meaning of
images.” ( Duncan, Art Educ 63 no1 Ja 2010)
“Even in art galleries images appear with labels, and their
assumed significance
is deeply grounded in art history texts and columns of
written critique.”
( Duncan, Art Educ 63 no1 Ja 2010)